Archive for the “fitting in” Category
Posted by: ciswy in cliques, disappointment, fitting in, junior high school, middle school, tags: art class, bias, gender, gifted child, jocks, junior high school, left out, loner, shop class, stereotyping, the eighties, wood shop, young for your grade
by Tanya Foubert
Junior high school
It’s the mid 80’s. I’m 10 and in 7th grade.
I’m a loner and have been since nursery school. Even the idea of having a friend is completely foreign to me. My class is the amalgamation of the “smart” kids of the entire school district and we are all attending an full-time, every day “enrichment” program. It is 1.5 hours away by bus, meaning I leave home at 7:05am, well before sunrise for much of the school year. I am 2 years younger than all of my classmates. My entire wardobe consists of jewel-toned jogging suits and I am crowned with a bright red afro (thanks to an unfortunate haircut). I obsessively listen to the other kids but when I try to act social with them, even they can tell I’m mimicing. They think I’m a freak. In a classroom full of kids that were supposed to be like me… I’m still a freak.
I discover that I really enjoy working with my hands when we start taking wood shop. I’ve begged to be allowed to take weekly wood shop class with the boys, because my other choices are home economics and art, and I already know how to bake, use a sewing machine and have no artistic skill whatsoever. Reluctantly, the teacher grants me permission to join the class when my homeroom teacher intervenes on my behalf. I am delighted.
Wood shop is apparently a proving ground for the budding adolescent male, where the jocks suddenly are on equal academic footing with the nerds. The teacher belongs to the jock group, I can tell by the way he stands and who he jokes with, but beyond that classification the social nuances are lost on me. For once I’m so different I’m left completely alone… a girl isn’t worth the time of the jocks or the nerds.
We do different projects to learn to use the different tools, moving from hand tools to power tools and then onto the machines, giant sanders, saws, lathes. My success is mediocre, but I don’t care! It’s new and I love the smells and sounds and solitude of the projects. After a few weeks, the teacher tells us to prepare on graph paper a design to cut out on the jigsaw. Something with some curves and some straight edges, and he’ll approve the designs before we’re allowed to copy it onto a piece of wood. I spend the next week tracing and retracing the same design… a musical 1/8th note, where the note is a heart shape. I plan to carefully sand it and colour several different samples of the design for myself, trying to decide on what colour will look nicest hanging on my bedroom wall. I painstakingly draw more than a dozen of them, trying to get the
perfect balance of heart-to-stem, the heart shape proportional and not to fat, not to thin, the stem not so thick as to throw off the balance of the picture, the tail on the eighth note gracefully curved and angled.
Finally, the morning of the class arrives and I eagerly wait my turn, to have my design approved so I can pick out a piece of pine from the scrap bin and start work. I watch while the teacher nods and smiles at the jock’s designs, and sighs but approves the nerd’s designs. I present my own coloured master plan, on graph paper as specified, and wait.
The teacher frowns. His eyes narrow. I don’t know how to read it yet. Angrily, he gestures towards the drawing. “What is this supposed to be?”
“A love note!” I say proudly. I feel it is both clever and cute and am eager to learn how to use the jigsaw.
His face clenches, he crumples it up and tosses it in the waste-paper basket, tells me to sit at my desk. I’m too confused to cry while he steps into the next room, the art room, and speaks to the teacher briefly. I am shortly steered by the shoulder into art class, where I spend the remaining 6 weeks of the semester making a coil pot out of clay, my cheeks burning with shame because I still don’t know what I’ve done wrong.
The incident was never mentioned again.
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N. Chandani Elementary School
Both of my parents came to the United States with the hope of prosperity. My mother and father, both doctors, met each other in New York and shortly after, got married. I have one brother who is four years older.
I still vividly remember the first years of grade school with horror. Growing up in India, my mom always had long thick black hair that was made into two braids like Pippi Longstocking. So in turn, she dressed me the same way for school in the United States. It was difficult enough to have a different name than everyone else, let alone I was the only girl in first grade to have long thick black hair and two braids attached to my head. Let’s just say Pocahontas was my newly established name. All of the other first grade girls had simple and pretty names like Sarah and Julie. They had short blonde hair with cute barrettes and ribbons. I pondered time after time why couldn’t my mother see this? Was she blind? At that moment I didn’t want to be Indian, I just wanted to be a normal first grader. Every day I would beg my mom profusely, to please, let me have one braid. I would have done anything: eat my vegetables, do my homework, anything to get rid of the dreaded two braids. But no. Every day she would put those two ugly braids in my hair and off to school I would go.
I had one trick up my sleeve. As soon as I got on the big yellow bus to go to school, I would wrap one braid around to the other shoulder to give an illusion of one braid. It was pathetic, yes, I know, but all I wanted was to fit in so desperately. I remember one time in particular when I had school pictures. My mom, as usual, made two braids in my hair and even got a little fancy with pink sparkly barrettes and a little rouge on my cheeks. This time when I got on the bus, I got the courage to take out the braids completely. Finally, for the first time, I felt like everyone else. I took my first grade pictures confidently with my hair free and flowing.
A couple of months later my mom received my school pictures. She didn’t say much but the look is one I will never forget. It was a look of hurt and disappointment. A look of pain that only a mother could have. At the time I did not realize what the big deal was. I thought my mother’s goal in life was to make me miserable. What was the big deal if my hair was in braids or just let loose?
I am twenty-one now and I believe just recently, I have understood why this meant so much to my mother. The braids were meaningless, but the symbolism of them was everything. You see in my mother’s eyes her little girl was denying her culture. Every time I asked her to take out my braids it made her feel as if I was embarrassed of her and where we come from. My mother knew that over time I would lose certain parts of my culture but I don’t believe she thought it would begin so early. Perhaps this is why she held on to the braids. She wanted me to have piece of who she was. She never asked me to put the braids in my hair again, and to be honest I was not about to ask her to.
Today, I still have a tough time looking at myself as the world truly sees me. When I look at myself, I see me as I see everyone else around me; sometimes I forget that I am not Caucasian. I am Indian. No matter what I do I can’t run from it or deny it. Not even freeing myself from Pippi Longstocking and Pocahontas can help me run away from who I am. I am, and will always be, the little girl with long black hair and two braids. I will always have the name no one can pronounce, the name that stands out. There will never be a time when I can be the girl with blonde hair and blue eyes. I won’t have the family who drinks milk with their dinner and – I am happy for that. Even if I don’t look, act, or sound like everyone else, that’s okay. There comes a point in each person’s life when they can either use their differences as an advantage or be inhibited by those differences.
Never let adversity define your life.
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by Mariann Vlacilek Fifth Grade
Back in grade school, in Huntington Beach, California (in the 1940s), I felt so out of place, plain and unnoticed. I was very thin, and olive complected with long, straight, dark hair plus I felt like I was all arms and legs. I was born in Panama and my mother was Castilian and French, ergo the complexion that is now called “Mediterranean.” I grew to envy all the girls at school with light skin and blue or green eyes. One girl in particular had red hair and green eyes, and I though she was the most beautiful thing I had ever seen.
Sometimes, I was mistaken for another race and even called by a racial slur. At one point, this actually led to an altercation in the nurse’s office. I am a very laid-back person but enough was enough! This was so very hurtful and damaging to me and I became even more self-conscious, and suffered a great loss of self-confidence.
It was a custom at my school that members of the graduating class would compile a list of underclassmen’s traits that they admired and would like to have, and then publish it in the yearbook. Imagine my utter amazement and disbelief when my name appeared on their list not once but twice — it had been unanimously voted that I had the most beautiful eyes and hands! Me … the fifth grader with the long dark hair and olive skin. ME!
This was somewhat of a turning point for me. It made me realize that I wasn’t an unnoticed nobody, and that there was something of me that was admirable. I should have learned from this, but the previous hurts were so deeply embedded that I bottled them up inside me, for years.
I didn’t fully realize the lesson of being listed in the yearbook at the time. It didn’t hit me until some thirty years later, when I looked in the mirror one day, and that little girl seemed to reflect back at me. At that moment I learned from her that, although thought of as pretty, I was also someone of value. That changed my life.
Every so often, I think back and am once again thankful and amazed that these “older” girls actually wanted something of mine that they didn’t and couldn’t have!
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by Seymour Rosenberg Age twelve at the time
In 1983, California’s largest almond growers’ concern sent me and the rest of my Catholic School’s eighth grade class on a field trip to Sacramento. Woo-hoo!
As you know, you are the music you listen to, even in eighth grade. I liked Gary Numan, Pat Benatar, and the Talking Heads, but none of my classmates did. Even so, I wanted the cool kids to think I was one of them and come hang out with me. I’d seen them scribbling “Van Halen” all over their Pee-Chee folders and notebooks, so I bought a Van Halen painter’s hat and wore it on the bus. And it actually worked! Several people came and sat with me, saying, “I didn’t know you liked Van Halen!”
So began many fruitless years of trying to achieve coolness points through musical means.
(At least the hat matched my blue and red corduroy OP shorts.)
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